E-Museum of Pyrographic Art

Traditional and Folk Art Hall



Welcome!

to the Vernon Robinson Salon


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Giraffe and Squirrel Hiking Staff
by Vernon Robinson


Pyroengraved sculptured limb of diamond willow

Staff stands 6 ft. 2 in. tall

The artist chose diamond willow because it offers wonderful color variation, as well as being strong and durable

This piece took approximately 120 hours to complete

Image courtesy of the artist




Newfoundland Hound
by Vernon Robinson


Pyroengraved sculptured limb of diamond willow

Staff stands 5 ft. 6 in. tall

Hanging around the neck is a small locket containing a photo of the dog after whom this staff was sculpted

The dog was sculpted following the natural shape of the wood--the staff and the dog's head are all one piece

This piece took over 110 hours to complete

Image courtesy of the artist




Chimpanzee Walking Stick
by Vernon Robinson


Pyroengraved sculptured limb of diamond willow

Staff stands 5 ft. 6 in. tall

Front of staff bears a pyroengraved sun design with an inset gemstone

The chimp was sculpted following the natural shape of the limb--the staff and the chimp's head are all one piece

This piece took over 110 hours to complete

Image courtesy of the artist




For more about Canadian folk artist Vern Robinson of Thunder Bay, Ontario, you can e-mail him at the first link or visit the Vernon Robinson website, linked here, that features his work and tells his story, including his television interviews.

In addition, Vern's work is exhibited in the gallery of the American Stickmakers Association linked here.

Vern's words and a picture of him in a funny pose with his chimpanzee walking stick conclude a special article on the use of pyrography as occupational therapy, which was published in the May–June 2000 issue of the Woodcarver Online Magazine linked here.

Vern wrote his own article showing the steps in his process of making a walking stick in a fully illustrated article in the July–August 2000 issue of the Woodcarver Online Magazine linked here. That article also featured a gallery of his work following the tutorial.

In a separate article in that same July–August 2000 issue of the Woodcarver Online Magazine linked here, Vern's work was featured to illustrate inlaying gemstones and other materials like abalone and leather that he uses to enhance some of his pyroengraved sculptures.




You are leaving the Vernon Robinson Salon.

You can return to the

Sculpture Hall,
the Special Pyrographic Art,

or visit one of the following:


Pyrographic Art Exhibit Halls:


Portraits and Paintings

Decorative and Applied Art

Traditional and Folk Art

Antique Pyrography

Children's Pyrographic Art

Special Pyrographic Art


The Book Store and E-Museum Library


Pyrography Tools and Techniques


Your questions and comments are welcome and appreciated.
Please e-mail the E-Museum Curator


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© 2000, 2009, 2010 Kathleen M. Garvey Menéndez, all rights reserved.
Last updated 7 February 2010.