E-Museum of Pyrographic Art

Antique Art Hall



Welcome!

to the
O.P. Staber (c.1880–1922)
Salon No. 1
Exhibiting an
1897 Triptych "Music and Poetry"


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Triptych, Music and Poetry
By O.P. Staber, 1897

Pyrography and low-relief pyroengraving on wood panels
Total measurement of the three panels is 97 in. wide by 28 in. high.



Music and Poetry, Verso, detail of the signature

The pyroengraved inscription, verso, is the following:
"Entirely burned by hand.
No carving or paint used.
O.P. Staber '97."


Music and Poetry, View 1, Music panel
By O. P. Staber, 1897

Pyrography and low-relief pyroengraving on wood panel
25 in. wide by 28 in. high


Music and Poetry, View 2, Central panel of the triptych, Children singing, reading verse
By O. P. Staber, 1897

Note the artist's signature, lower recto, left of center
Pyrography and low-relief pyroengraving on wood panel
35 in. wide by 28 in. high

Music and Poetry, View 3, Poetry panel.
By O. P. Staber, 1897

The calligraphic inscription, recto, is "She taketh most delight in music instruments and poetry"
From William Shakespeare's play The Taming of the Shrew

Pyrography and low-relief pyroengraving on wood panel
37 in. wide by 28 in. high


Triptych, Music and Poetry
By O. P. Staber, 1897

Pyrography and low-relief pyroengraving on wood panels
Total measurement of the three panels is 97 in. wide by 28 in. high.




Like J. William Fosdick, American artist O.P. Staber exhibited at the prestigious Architectural League of New York as documented in their catalogues between the years 1893–1904 (with relevant listings compiled here in the E-Museum at this link). The triptych here in this Salon No. 1 was sold in 2008 at Quinn's auction in Falls Church, Virginia.

Although nothing further is known of this triptych's provenance, it is signed and dated by the artist, who evidently was intent on making it clear that the technique used was neither paint nor carving but burning only to achieve the effects created, including those that appeared in bas relief. The title "Music and Poetry," was used here because it is believed this is likely the frieze fragment with that name listed in the Architectural League of New York catalogue.



If you have either any questions to ask or any information to offer regarding these pyrography panels by O.P. Staber, please e-mail the E-Museum Curator.




You are leaving the O.P. Staber Salon No. 1

You can also visit the

O.P. Staber Salon No. 2
Featuring a panel of a "Mediaeval Falconer"
and including biographical information on this artist

Or return to the


Antique Hall

Or visit one of the following:

Pyrographic Art Exhibit Halls:


Portraits and Paintings

Decorative and Applied Art

Sculpture

Traditional and Folk Art

Children's Pyrographic Art

Special Pyrographic Art


The Book Store and E-Museum Library


Pyrography Tools and Techniques


Your questions and comments are welcome and appreciated.
Please e-mail the E-Museum Curator


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© 2014 Kathleen M. Garvey Menéndez, all rights reserved.
09–26 March 2014.