E-Museum of Pyrographic Art

Portraits and Paintings Hall



Welcome to the Salon of

Benjamín Cañas, 1933–1987
A Posthumous Tribute


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The Creation of Time
(La Creación del Tiempo)

by Benjamín Cañas, 1969

Mayan period
Pyroengraved mixed media on paper, 19 x 25 inches

Private collection, Sharps, Virginia, U.S.A.

Photograph by Sharon H. Garvey




Stele No. 1
Estela Nú 1

by Benjamín Cañas, 1970

Mayan period
Pyroengraved mixed media on panel, 20 x 24 inches

Private collection, Brooklyn, New York, U.S.A.




The Art Show
(La Galería)

by Benjamín Cañas, 1973

Neo-Humanist or Neo-Figurative Period
Oil on panel, 20 x 24 inches

Private collection, Chevy Chase, Maryland, U.S.A.





The Illusionist
(El Ilusionista)

by Benjamín Cañas, 1978

Neo-Humanist or Neo-Figurative Period
Oil on panel, 48 x 46 inches

Private collection, Falls Church, Virginia, U.S.A.




Bacchanal
(Bacanal)

by Benjamín Cañas, 1982

Neo-Humanist or Neo-Figurative Period
Oil on panel, 47.5 x 73 inches

Private collection, Long Island, New York, U.S.A.




Chronos and Oedipus
(Cronos y Edipo)

by Benjamín Cañas, 1980

Neo-Humanist or Neo-Figurative Period
Oil on panel, 76 x 46 inches

Private collection, Long Island, New York, U.S.A.




The Seed of Time
(La Semilla del Tiempo)

by Benjamín Cañas, 1967

Abstract Period
Pyroengraved oil painting on wood, 36 x 36 inches

Private collection, Annandale, Virginia, U.S.A.

Black and white photograph




Even before the late Benjamín Cañas became known internationally for his sculptures, his striking pyroengraved abstract paintings on wood panels, and even a small number of etchings in his earlier period, and his Renaissance-like richly colored surrealist oil paintings in his later period, this remarkable artist was an internationally renowned architect with fine examples of structures, particularly churches, to his credit that are solely his design outside and inside (including a Via Crucis wrap-around mural in one). In this day and age of large architectural firms producing by-and-large catalogue-component buildings, this is a particularly noteworthy accomplishment.

Read more about Benjamín Cañas' pyrography history in a 1999 article for Pyrograffiti.

For more about the extraordinary art work of this brilliant artist and architect, please e-mail the E-Museum Curator.




You are leaving the Benjamín Cañas Salon.

You can return to the
Portraits and Paintings Hall
or visit one of the following:


Pyrographic Art Exhibit Halls:


Decorative and Applied Art

Sculpture

Traditional and Folk Art

Antique Pyrography

Children's Pyrographic Art

Special Pyrographic Art


The Book Store and E-Museum Library


Pyrography Tools and Techniques


Your questions and comments are welcome and appreciated.
Please e-mail Curator


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© 1998, 2007, 2009, 2012 Kathleen M. Garvey Menéndez, all rights reserved.
Updated 25 October 2009. Last updated August 1st, 2012.